Eric Hermannson's Soul by Willa Cather
It was a great night at the Lone Star schoolhouse—a night when the
Spirit was present with power and when God was very near to man. So it
seemed to Asa Skinner, servant of God and Free Gospeller. The schoolhouse
was crowded with the saved and sanctified, robust men and women, trembling
and quailing before the power of some mysterious psychic force. Here and
there among this cowering, sweating multitude crouched some poor wretch
who had felt the pangs of an awakened conscience, but had not yet
experienced that complete divestment of reason, that frenzy born of a
convulsion of the mind, which, in the parlance of the Free Gospellers, is
termed "the Light." On the floor before the mourners' bench lay the
unconscious figure of a man in whom outraged nature had sought her last
resort. This "trance" state is the highest evidence of grace among the
Free Gospellers, and indicates a close walking with God.
Before the desk stood Asa Skinner, shouting of the mercy and vengeance of
God, and in his eyes shone a terrible earnestness, an almost prophetic
flame. Asa was a converted train gambler who used to run between Omaha and
Denver. He was a man made for the extremes of life; from the most
debauched of men he had become the most ascetic. His was a bestial face, a
face that bore the stamp of Nature's eternal injustice. The forehead was
low, projecting over the eyes, and the sandy hair was plastered down over
it and then brushed back at an abrupt right angle. The chin was heavy, the
nostrils were low and wide, and the lower lip hung loosely except in his
moments of spasmodic earnestness, when it shut like a steel trap. Yet
about those coarse features there were deep, rugged furrows, the scars of
many a hand-to-hand struggle with the weakness of the flesh, and about
that drooping lip were sharp, strenuous lines that had conquered it and
taught it to pray. Over those seamed cheeks there was a certain pallor, a
greyness caught from many a vigil. It was as though, after Nature had done
her worst with that face, some fine chisel had gone over it, chastening
and almost transfiguring it. Tonight, as his muscles twitched with
emotion, and the perspiration dropped from his hair and chin, there was a
certain convincing power in the man. For Asa Skinner was a man possessed
of a belief, of that sentiment of the sublime before which all
inequalities are leveled, that transport of conviction which seems
superior to all laws of condition, under which debauchees have become
martyrs; which made a tinker an artist and a camel-driver the founder of
an empire. This was with Asa Skinner tonight, as he stood proclaiming the
vengeance of God.
It might have occurred to an impartial observer that Asa Skinner's God was
indeed a vengeful God if he could reserve vengeance for those of his
creatures who were packed into the Lone Star schoolhouse that night. Poor
exiles of all nations; men from the south and the north, peasants from
almost every country of Europe, most of them from the mountainous,
night-bound coast of Norway. Honest men for the most part, but men with
whom the world had dealt hardly; the failures of all countries, men
sobered by toil and saddened by exile, who had been driven to fight for
the dominion of an untoward soil, to sow where others should gather, the
advance guard of a mighty civilization to be.
Never had Asa Skinner spoken more earnestly than now. He felt that the
Lord had this night a special work for him to do. Tonight Eric Hermannson,
the wildest lad on all the Divide, sat in his audience with a fiddle on
his knee, just as he had dropped in on his way to play for some dance. The
violin is an object of particular abhorrence to the Free Gospellers. Their
antagonism to the church organ is bitter enough, but the fiddle they
regard as a very incarnation of evil desires, singing forever of worldly
pleasures and inseparably associated with all forbidden things.
Eric Hermannson had long been the object of the prayers of the
revivalists. His mother had felt the power of the Spirit weeks ago, and
special prayer-meetings had been held at her house for her son. But Eric
had only gone his ways laughing, the ways of youth, which are short enough
at best, and none too flowery on the Divide.
He slipped away from the prayer-meetings to meet the Campbell boys in
Genereau's saloon, or hug the plump little French girls at Chevalier's
dances, and sometimes, of a summer night, he even went across the dewy
cornfields and through the wild-plum thicket to play the fiddle for Lena
Hanson, whose name was a reproach through all the Divide country, where
the women are usually too plain and too busy and too tired to depart from
the ways of virtue. On such occasions Lena, attired in a pink wrapper and
silk stockings and tiny pink slippers, would sing to him, accompanying
herself on a battered guitar. It gave him a delicious sense of freedom and
experience to be with a woman who, no matter how, had lived in big cities
and knew the ways of town folk, who had never worked in the fields and had
kept her hands white and soft, her throat fair and tender, who had heard
great singers in Denver and Salt Lake, and who knew the strange language
of flattery and idleness and mirth.
Yet, careless as he seemed, the frantic prayers of his mother were not
altogether without their effect upon Eric. For days he had been fleeing
before them as a criminal from his pursuers, and over his pleasures had
fallen the shadow of something dark and terrible that dogged his steps.
The harder he danced, the louder he sang, the more was he conscious that
this phantom was gaining upon him, that in time it would track him down.
One Sunday afternoon, late in the fall, when he had been drinking beer
with Lena Hanson and listening to a song which made his cheeks burn, a
rattlesnake had crawled out of the side of the sod house and thrust its
ugly head in under the screen door. He was not afraid of snakes, but he
knew enough of Gospellism to feel the significance of the reptile lying
coiled there upon her doorstep. His lips were cold when he kissed Lena
goodbye, and he went there no more.
The final barrier between Eric and his mother's faith was his violin, and
to that he clung as a man sometimes will cling to his dearest sin, to the
weakness more precious to him than all his strength, In the great world
beauty comes to men in many guises, and art in a hundred forms, but for
Eric there was only his violin.
It stood, to him, for all the manifestations of art; it was his only
bridge into the kingdom of the soul.
It was to Eric Hermannson that the evangelist directed his impassioned
pleading that night.
"Saul, Saul, why persecutest thou me? Is there a Saul here tonight
who has stopped his ears to that gentle pleading, who has thrust a spear
into that bleeding side? Think of it, my brother; you are offered this
wonderful love and you prefer the worm that dieth not and the fire which
will not be quenched. What right have you to lose one of God's precious
souls? Saul, Saul, why persecutest thou me?"
A great joy dawned in Asa Skinner's pale face, for he saw that Eric
Hermannson was swaying to and fro in his seat. The minister fell upon his
knees and threw his long arms up over his head.
"O my brothers! I feel it coming, the blessing we have prayed for. I tell
you the Spirit is coming! just a little more prayer, brothers, a little
more zeal, and he will be here. I can feel his cooling wing upon my brow.
Glory be to God forever and ever, amen!"
The whole congregation groaned under the pressure of this spiritual panic.
Shouts and hallelujahs went up from every lip. Another figure fell
prostrate upon the floor. From the mourners' bench rose a chant of terror
"Eating honey and drinking wine,
Glory to the bleeding Lamb!
I am my Lord's and he is mine,
Glory to the bleeding Lamb!"
The hymn was sung in a dozen dialects and voiced all the vague yearning of
these hungry lives, of these people who had starved all the passions so
long, only to fall victims to the barest of them all, fear.
A groan of ultimate anguish rose from Eric Hermannson's bowed head, and
the sound was like the groan of a great tree when it falls in the forest.
The minister rose suddenly to his feet and threw back his head, crying in
a loud voice:
"Lazarus, come forth! Eric Hermannson, you are lost, going down at
sea. In the name of God, and Jesus Christ his Son, I throw you the life
line. Take hold! Almighty God, my soul for his!" The minister threw his
arms out and lifted his quivering face.
Eric Hermannson rose to his feet; his lips were set and the lightning was
in his eyes. He took his violin by the neck and crushed it to splinters
across his knee, and to Asa Skinner the sound was like the shackles of sin
broken audibly asunder.
For more than two years Eric Hermannson kept the austere faith to which he
had sworn himself, kept it until a girl from the East came to spend a week
on the Nebraska Divide. She was a girl of other manners and conditions,
and there were greater distances between her life and Eric's than all the
miles which separated Rattlesnake Creek from New York City. Indeed, she
had no business to be in the West at all; but ah! across what leagues of
land and sea, by what improbable chances, do the unrelenting gods bring to
us our fate!
It was in a year of financial depression that Wyllis Elliot came to
Nebraska to buy cheap land and revisit the country where he had spent a
year of his youth. When he had graduated from Harvard it was still
customary for moneyed gentlemen to send their scapegrace sons to rough it
on ranches in the wilds of Nebraska or Dakota, or to consign them to a
living death in the sagebrush of the Black Hills. These young men did not
always return to the ways of civilized life. But Wyllis Elliot had not
married a half-breed, nor been shot in a cowpunchers' brawl, nor wrecked
by bad whisky, nor appropriated by a smirched adventuress. He had been
saved from these things by a girl, his sister, who had been very near to
his life ever since the days when they read fairy tales together and
dreamed the dreams that never come true. On this, his first visit to his
father's ranch since he left it six years before, he brought her with him.
She had been laid up half the winter from a sprain received while skating,
and had had too much time for reflection during those months. She was
restless and filled with a desire to see something of the wild country of
which her brother had told her so much. She was to be married the next
winter, and Wyllis understood her when she begged him to take her with him
on this long, aimless jaunt across the continent, to taste the last of
their freedom together. It comes to all women of her type—that
desire to taste the unknown which allures and terrifies, to run one's
whole soul's length out to the wind—just once.
It had been an eventful journey. Wyllis somehow understood that strain of
gypsy blood in his sister, and he knew where to take her. They had slept
in sod houses on the Platte River, made the acquaintance of the personnel
of a third-rate opera company on the train to Deadwood, dined in a camp of
railroad constructors at the world's end beyond New Castle, gone through
the Black Hills on horseback, fished for trout in Dome Lake, watched a
dance at Cripple Creek, where the lost souls who hide in the hills
gathered for their besotted revelry. And now, last of all, before the
return to thraldom, there was this little shack, anchored on the windy
crest of the Divide, a little black dot against the flaming sunsets, a
scented sea of cornland bathed in opalescent air and blinding sunlight.
Margaret Elliot was one of those women of whom there are so many in this
day, when old order, passing, giveth place to new; beautiful, talented,
critical, unsatisfied, tired of the world at twenty-four. For the moment
the life and people of the Divide interested her. She was there but a
week; perhaps had she stayed longer, that inexorable ennui which travels
faster even than the Vestibule Limited would have overtaken her. The week
she tarried there was the week that Eric Hermannson was helping Jerry
Lockhart thresh; a week earlier or a week later, and there would have been
no story to write.
It was on Thursday and they were to leave on Saturday. Wyllis and his
sister were sitting on the wide piazza of the ranchhouse, staring out into
the afternoon sunlight and protesting against the gusts of hot wind that
blew up from the sandy riverbottom twenty miles to the southward.
The young man pulled his cap lower over his eyes and remarked:
"This wind is the real thing; you don't strike it anywhere else. You
remember we had a touch of it in Algiers and I told you it came from
Kansas. It's the keynote of this country."
Wyllis touched her hand that lay on the hammock and continued gently:
"I hope it's paid you, Sis. Roughing it's dangerous business; it takes the
taste out of things."
She shut her fingers firmly over the brown hand that was so like her own.
"Paid? Why, Wyllis, I haven't been so happy since we were children and
were going to discover the ruins of Troy together some day. Do you know, I
believe I could just stay on here forever and let the world go on its own
gait. It seems as though the tension and strain we used to talk of last
winter were gone for good, as though one could never give one's strength
out to such petty things any more."
Wyllis brushed the ashes of his pipe away from the silk handkerchief that
was knotted about his neck and stared moodily off at the skyline.
"No, you're mistaken. This would bore you after a while. You can't shake
the fever of the other life. I've tried it. There was a time when the gay
fellows of Rome could trot down into the Thebaid and burrow into the
sandhills and get rid of it. But it's all too complex now. You see we've
made our dissipations so dainty and respectable that they've gone further
in than the flesh, and taken hold of the ego proper. You couldn't rest,
even here. The war cry would follow you."
"You don't waste words, Wyllis, but you never miss fire. I talk more than
you do, without saying half so much. You must have learned the art of
silence from these taciturn Norwegians. I think I like silent men."
"Naturally," said Wyllis, "since you have decided to marry the most
brilliant talker you know."
Both were silent for a time, listening to the sighing of the hot wind
through the parched morning-glory vines. Margaret spoke first.
"Tell me, Wyllis, were many of the Norwegians you used to know as
interesting as Eric Hermannson?"
"Who, Siegfried? Well, no. He used to be the flower of the Norwegian youth
in my day, and he's rather an exception, even now. He has retrograded,
though. The bonds of the soil have tightened on him, I fancy."
"Siegfried? Come, that's rather good, Wyllis. He looks like a
dragon-slayer. What is it that makes him so different from the others? I
can talk to him; he seems quite like a human being."
"Well," said Wyllis, meditatively, "I don't read Bourget
as much as my cultured sister, and I'm not so well up in analysis, but
I fancy it's because one keeps cherishing a perfectly unwarranted
suspicion that under that big, hulking anatomy of his, he may conceal a
soul somewhere. Nicht wahr?"
"Something like that," said Margaret, thoughtfully, "except that it's more
than a suspicion, and it isn't groundless. He has one, and he makes it
known, somehow, without speaking."
"I always have my doubts about loquacious souls," Wyllis remarked, with
the unbelieving smile that had grown habitual with him.
Margaret went on, not heeding the interruption. "I knew it from the first,
when he told me about the suicide of his cousin, the Bernstein boy. That
kind of blunt pathos can't be summoned at will in anybody. The earlier
novelists rose to it, sometimes, unconsciously. But last night when I sang
for him I was doubly sure. Oh, I haven't told you about that yet! Better
light your pipe again. You see, he stumbled in on me in the dark when I
was pumping away at that old parlour organ to please Mrs. Lockhart It's
her household fetish and I've forgotten how many pounds of butter she made
and sold to buy it. Well, Eric stumbled in, and in some inarticulate
manner made me understand that he wanted me to sing for him. I sang just
the old things, of course. It's queer to sing familiar things here at the
world's end. It makes one think how the hearts of men have carried them
around the world, into the wastes of Iceland and the jungles of Africa and
the islands of the Pacific. I think if one lived here long enough one
would quite forget how to be trivial, and would read only the great books
that we never get time to read in the world, and would remember only the
great music, and the things that are really worth while would stand out
clearly against that horizon over there. And of course I played the
intermezzo from Cavalleria Rusticana for him; it goes rather better
on an organ than most things do. He shuffled his feet and twisted his big
hands up into knots and blurted out that he didn't know there was any
music like that in the world. Why, there were tears in his voice, Wyllis!
Yes, like Rossetti, I heard his tears. Then it dawned upon me that
it was probably the first good music he had ever heard in all his life.
Think of it, to care for music as he does and never to hear it, never to
know that it exists on earth! To long for it as we long for other perfect
experiences that never come. I can't tell you what music means to that
man. I never saw any one so susceptible to it. It gave him speech, he
became alive. When I had finished the intermezzo, he began telling me
about a little crippled brother who died and whom he loved and used to
carry everywhere in his arms. He did not wait for encouragement. He took
up the story and told it slowly, as if to himself, just sort of rose up
and told his own woe to answer Mascagni's. It overcame me."
"Poor devil," said Wyllis, looking at her with mysterious eyes, "and so
you've given him a new woe. Now he'll go on wanting Grieg and Schubert the
rest of his days and never getting them. That's a girl's philanthropy for
Jerry Lockhart came out of the house screwing his chin over the unusual
luxury of a stiff white collar, which his wife insisted upon as a
necessary article of toilet while Miss Elliot was at the house. Jerry sat
down on the step and smiled his broad, red smile at Margaret.
"Well, I've got the music for your dance, Miss Elliot. Olaf Oleson will
bring his accordion and Mollie will play the organ, when she isn't lookin'
after the grub, and a little chap from Frenchtown will bring his fiddle—though
the French don't mix with the Norwegians much."
"Delightful! Mr. Lockhart, that dance will be the feature of our trip, and
it's so nice of you to get it up for us. We'll see the Norwegians in
character at last," cried Margaret, cordially.
"See here, Lockhart, I'll settle with you for backing her in this scheme,"
said Wyllis, sitting up and knocking the ashes out of his pipe. "She's
done crazy things enough on this trip, but to talk of dancing all night
with a gang of half-mad Norwegians and taking the carriage at four to
catch the six o'clock train out of Riverton—well, it's tommyrot,
that's what it is!"
"Wyllis, I leave it to your sovereign power of reason to decide whether it
isn't easier to stay up all night than to get up at three in the morning.
To get up at three, think what that means! No, sir, I prefer to keep my
vigil and then get into a sleeper."
"But what do you want with the Norwegians? I thought you were tired of
"So I am, with some people. But I want to see a Norwegian dance, and I
intend to. Come, Wyllis, you know how seldom it is that one really wants
to do anything nowadays. I wonder when I have really wanted to go to a
party before. It will be something to remember next month at Newport, when
we have to and don't want to. Remember your own theory that contrast is
about the only thing that makes life endurable. This is my party and Mr.
Lockhart's; your whole duty tomorrow night will consist in being nice to
the Norwegian girls. I'll warrant you were adept enough at it once. And
you'd better be very nice indeed, for if there are many such young
Valkyries as Eric's sister among them, they would simply tie you up in a
knot if they suspected you were guying them."
Wyllis groaned and sank back into the hammock to consider his fate, while
his sister went on.
"And the guests, Mr. Lockhart, did they accept?"
Lockhart took out his knife and began sharpening it on the sole of his
"Well, I guess we'll have a couple dozen. You see it's pretty hard to get
a crowd together here any more. Most of 'em have gone over to the Free
Gospellers, and they'd rather put their feet in the fire than shake 'em to
Margaret made a gesture of impatience. "Those Free Gospellers have just
cast an evil spell over this country, haven't they?"
"Well," said Lockhart, cautiously, "I don't just like to pass judgment on
any Christian sect, but if you're to know the chosen by their works, the
Gospellers can't make a very proud showin', an' that's a fact. They're
responsible for a few suicides, and they've sent a good-sized delegation
to the state insane asylum, an' I don't see as they've made the rest of us
much better than we were before. I had a little herdboy last spring, as
square a little Dane as I want to work for me, but after the Gospellers
got hold of him and sanctified him, the little beggar used to get down on
his knees out on the prairie and pray by the hour and let the cattle get
into the corn, an' I had to fire him. That's about the way it goes. Now
there's Eric; that chap used to be a hustler and the spryest dancer in all
this section-called all the dances. Now he's got no ambition and he's glum
as a preacher. I don't suppose we can even get him to come in tomorrow
"Eric? Why, he must dance, we can't let him off," said Margaret, quickly.
"Why, I intend to dance with him myself."
"I'm afraid he won't dance. I asked him this morning if he'd help us out
and he said, 'I don't dance now, any more,'" said Lockhart, imitating the
laboured English of the Norwegian.
"'The Miller of Hofbau, the Miller of Hofbau, O my Princess!'" chirped
Wyllis, cheerfully, from his hammock.
The red on his sister's cheek deepened a little, and she laughed
mischievously. "We'll see about that, sir. I'll not admit that I am beaten
until I have asked him myself."
Every night Eric rode over to St. Anne, a little village in the heart of
the French settlement, for the mail. As the road lay through the most
attractive part of the Divide country, on several occasions Margaret
Elliot and her brother had accompanied him. Tonight Wyllis had business
with Lockhart, and Margaret rode with Eric, mounted on a frisky little
mustang that Mrs. Lockhart had broken to the sidesaddle. Margaret regarded
her escort very much as she did the servant who always accompanied her on
long rides at home, and the ride to the village was a silent one. She was
occupied with thoughts of another world, and Eric was wrestling with more
thoughts than had ever been crowded into his head before.
He rode with his eyes riveted on that slight figure before him, as though
he wished to absorb it through the optic nerves and hold it in his brain
forever. He understood the situation perfectly. His brain worked slowly,
but he had a keen sense of the values of things. This girl represented an
entirely new species of humanity to him, but he knew where to place her.
The prophets of old, when an angel first appeared unto them, never doubted
its high origin.
Eric was patient under the adverse conditions of his life, but he was not
servile. The Norse blood in him had not entirely lost its self-reliance.
He came of a proud fisher line, men who were not afraid of anything but
the ice and the devil, and he had prospects before him when his father
went down off the North Cape in the long Arctic night, and his mother,
seized by a violent horror of seafaring life, had followed her brother to
America. Eric was eighteen then, handsome as young Siegfried, a giant in
stature, with a skin singularly pure and delicate, like a Swede's; hair as
yellow as the locks of Tennyson's amorous Prince, and eyes of a fierce,
burning blue, whose flash was most dangerous to women.
He had in those days a certain pride of bearing, a certain confidence of
approach, that usually accompanies physical perfection. It was even said
of him then that he was in love with life, and inclined to levity, a vice
most unusual on the Divide. But the sad history of those Norwegian exiles,
transplanted in an arid soil and under a scorching sun, had repeated
itself in his case. Toil and isolation had sobered him, and he grew more
and more like the clods among which he laboured. It was as though some
red-hot instrument had touched for a moment those delicate fibers of the
brain which respond to acute pain or pleasure, in which lies the power of
exquisite sensation, and had seared them quite away. It is a painful thing
to watch the light die out of the eyes of those Norsemen, leaving an
expression of impenetrable sadness, quite passive, quite hopeless, a
shadow that is never lifted. With some this change comes almost at once,
in the first bitterness of homesickness, with others it comes more slowly,
according to the time it takes each man's heart to die.
Oh, those poor Northmen of the Divide! They are dead many a year before
they are put to rest in the little graveyard on the windy hill where
exiles of all nations grow akin.
The peculiar species of hypochondria to which the exiles of his people
sooner or later succumb had not developed in Eric until that night at the
Lone Star schoolhouse, when he had broken his violin across his knee.
After that, the gloom of his people settled down upon him, and the gospel
of maceration began its work.
"If thine eye offend thee, pluck it out," et cetera. The pagan
smile that once hovered about his lips was gone, and he was one with
sorrow. Religion heals a hundred hearts for one that it embitters, but
when it destroys, its work is quick and deadly, and where the agony of the
cross has been, joy will not come again. This man understood things
literally: one must live without pleasure to die without fear; to save the
soul, it was necessary to starve the soul.
The sun hung low above the cornfields when Margaret and her cavalier left
St. Anne. South of the town there is a stretch of road that runs for some
three miles through the French settlement, where the prairie is as level
as the surface of a lake. There the fields of flax and wheat and rye are
bordered by precise rows of slender, tapering Lombard poplars. It was a
yellow world that Margaret Elliot saw under the wide light of the setting
The girl gathered up her reins and called back to Eric, "It will be safe
to run the horses here, won't it?"
"Yes, I think so, now," he answered, touching his spur to his pony's
flank. They were off like the wind. It is an old saying in the West that
newcomers always ride a horse or two to death before they get broken in to
the country. They are tempted by the great open spaces and try to outride
the horizon, to get to the end of something. Margaret galloped over the
level road, and Eric, from behind, saw her long veil fluttering in the
wind. It had fluttered just so in his dreams last night and the night
before. With a sudden inspiration of courage he overtook her and rode
beside her, looking intently at her half-averted face. Before, he had only
stolen occasional glances at it, seen it in blinding flashes, always with
more or less embarrassment, but now he determined to let every line of it
sink into his memory. Men of the world would have said that it was an
unusual face, nervous, finely cut, with clear, elegant lines that
betokened ancestry. Men of letters would have called it a historic face,
and would have conjectured at what old passions, long asleep, what old
sorrows forgotten time out of mind, doing battle together in ages gone,
had curved those delicate nostrils, left their unconscious memory in those
eyes. But Eric read no meaning in these details. To him this beauty was
something more than colour and line; it was a flash of white light, in
which one cannot distinguish colour because all colours are there. To him
it was a complete revelation, an embodiment of those dreams of impossible
loveliness that linger by a young man's pillow on midsummer nights; yet,
because it held something more than the attraction of health and youth and
shapeliness, it troubled him, and in its presence he felt as the Goths
before the white marbles in the Roman Capitol, not knowing whether they
were men or gods. At times he felt like uncovering his head before it,
again the fury seized him to break and despoil, to find the clay in this
spirit-thing and stamp upon it. Away from her, he longed to strike out
with his arms, and take and hold; it maddened him that this woman whom he
could break in his hands should be so much stronger than he. But near her,
he never questioned this strength; he admitted its potentiality as he
admitted the miracles of the Bible; it enervated and conquered him.
Tonight, when he rode so close to her that he could have touched her, he
knew that he might as well reach out his hand to take a star.
Margaret stirred uneasily under his gaze and turned questioningly in her
"This wind puts me a little out of breath when we ride fast," she said.
Eric turned his eyes away.
"I want to ask you if I go to New York to work, if I maybe hear music like
you sang last night? I been a purty good hand to work," he asked, timidly.
Margaret looked at him with surprise, and then, as she studied the outline
of his face, pityingly.
"Well, you might—but you'd lose a good deal else. I shouldn't like
you to go to New York—and be poor, you'd be out of atmosphere, some
way," she said, slowly. Inwardly she was thinking: There he would be
altogether sordid, impossible—a machine who would carry one's trunks
upstairs, perhaps. Here he is every inch a man, rather picturesque; why is
it? "No," she added aloud, "I shouldn't like that."
"Then I not go," said Eric, decidedly.
Margaret turned her face to hide a smile. She was a trifle amused and a
trifle annoyed. Suddenly she spoke again.
"But I'll tell you what I do want you to do, Eric. I want you to dance
with us tomorrow night and teach me some of the Norwegian dances; they say
you know them all. Won't you?"
Eric straightened himself in his saddle and his eyes flashed as they had
done in the Lone Star schoolhouse when he broke his violin across his
"Yes, I will," he said, quietly, and he believed that he delivered his
soul to hell as he said it.
They had reached the rougher country now, where the road wound through a
narrow cut in one of the bluffs along the creek, when a beat of hoofs
ahead and the sharp neighing of horses made the ponies start and Eric rose
in his stirrups. Then down the gulch in front of them and over the steep
clay banks thundered a herd of wild ponies, nimble as monkeys and wild as
rabbits, such as horse-traders drive east from the plains of Montana to
sell in the farming country. Margaret's pony made a shrill sound, a neigh
that was almost a scream, and started up the clay bank to meet them, all
the wild blood of the range breaking out in an instant. Margaret called to
Eric just as he threw himself out of the saddle and caught her pony's bit.
But the wiry little animal had gone mad and was kicking and biting like a
devil. Her wild brothers of the range were all about her, neighing, and
pawing the earth, and striking her with their forefeet and snapping at her
flanks. It was the old liberty of the range that the little beast fought
"Drop the reins and hold tight, tight!" Eric called, throwing all his
weight upon the bit, struggling under those frantic forefeet that now beat
at his breast, and now kicked at the wild mustangs that surged and tossed
about him. He succeeded in wrenching the pony's head toward him and
crowding her withers against the clay bank, so that she could not roll.
"Hold tight, tight!" he shouted again, launching a kick at a snorting
animal that reared back against Margaret's saddle. If she should lose her
courage and fall now, under those hoofs—He struck out again and
again, kicking right and left with all his might. Already the negligent
drivers had galloped into the cut, and their long quirts were whistling
over the heads of the herd. As suddenly as it had come, the struggling,
frantic wave of wild life swept up out of the gulch and on across the open
prairie, and with a long despairing whinny of farewell the pony dropped
her head and stood trembling in her sweat, shaking the foam and blood from
Eric stepped close to Margaret's side and laid his hand on her saddle.
"You are not hurt?" he asked, hoarsely. As he raised his face in the soft
starlight she saw that it was white and drawn and that his lips were
"No, no, not at all. But you, you are suffering; they struck you!" she
cried in sharp alarm.
He stepped back and drew his hand across his brow.
"No, it is not that," he spoke rapidly now, with his hands clenched at his
side. "But if they had hurt you, I would beat their brains out with my
hands. I would kill them all. I was never afraid before. You are the only
beautiful thing that has ever come close to me. You came like an angel out
of the sky. You are like the music you sing, you are like the stars and
the snow on the mountains where I played when I was a little boy. You are
like all that I wanted once and never had, you are all that they have
killed in me. I die for you tonight, tomorrow, for all eternity. I am not
a coward; I was afraid because I love you more than Christ who died for
me, more than I am afraid of hell, or hope for heaven. I was never afraid
before. If you had fallen—oh, my God!" He threw his arms out blindly
and dropped his head upon the pony's mane, leaning limply against the
animal like a man struck by some sickness. His shoulders rose and fell
perceptibly with his laboured breathing. The horse stood cowed with
exhaustion and fear. Presently Margaret laid her hand on Eric's head and
"You are better now, shall we go on? Can you get your horse?"
"No, he has gone with the herd. I will lead yours, she is not safe. I will
not frighten you again." His voice was still husky, but it was steady now.
He took hold of the bit and tramped home in silence.
When they reached the house, Eric stood stolidly by the pony's head until
Wyllis came to lift his sister from the saddle.
"The horses were badly frightened, Wyllis. I think I was pretty thoroughly
scared myself," she said as she took her brother's arm and went slowly up
the hill toward the house. "No, I'm not hurt, thanks to Eric. You must
thank him for taking such good care of me. He's a mighty fine fellow. I'll
tell you all about it in the morning, dear. I was pretty well shaken up
and I'm going right to bed now. Good night."
When she reached the low room in which she slept, she sank upon the bed in
her riding dress, face downward.
"Oh, I pity him! I pity him!" she murmured, with a long sigh of
exhaustion. She must have slept a little. When she rose again, she took
from her dress a letter that had been waiting for her at the village
post-office. It was closely written in a long, angular hand, covering a
dozen pages of foreign note-paper, and began:
My Dearest Margaret: if I should attempt to say how like a winter hath
thine absence been, I should incur the risk of being tedious. Really,
it takes the sparkle out of everything. Having nothing better to do, and
not caring to go anywhere in particular without you, I remained in the
city until Jack Courtwell noted my general despondency and brought me down
here to his place on the sound to manage some open-air theatricals he is
getting up. As You Like It is of course the piece selected. Miss
Harrison plays Rosalind. I wish you had been here to take the part. Miss
Harrison reads her lines well, but she is either a maiden-all-forlorn or a
tomboy; insists on reading into the part all sorts of deeper meanings and
highly coloured suggestions wholly out of harmony with the pastoral
setting. Like most of the professionals, she exaggerates the emotional
element and quite fails to do justice to Rosalind's facile wit and really
brilliant mental qualities. Gerard will do Orlando, but rumor says he is
epris of your sometime friend, Miss Meredith, and his memory is
treacherous and his interest fitful.
My new pictures arrived last week on the Gascogne. The Puvis de
Chavannes is even more beautiful than I thought it in Paris. A pale
dream-maiden sits by a pale dream-cow and a stream of anemic water flows
at her feet. The Constant, you will remember, I got because you admired
it. It is here in all its florid splendour, the whole dominated by a
glowing sensuosity. The drapery of the female figure is as wonderful as
you said; the fabric all barbaric pearl and gold, painted with an easy,
effortless voluptuousness, and that white, gleaming line of African coast
in the background recalls memories of you very precious to me. But it is
useless to deny that Constant irritates me. Though I cannot prove the
charge against him, his brilliancy always makes me suspect him of
Here Margaret stopped and glanced at the remaining pages of this strange
love-letter. They seemed to be filled chiefly with discussions of pictures
and books, and with a slow smile she laid them by.
She rose and began undressing. Before she lay down she went to open the
window. With her hand on the sill, she hesitated, feeling suddenly as
though some danger were lurking outside, some inordinate desire waiting to
spring upon her in the darkness. She stood there for a long time, gazing
at the infinite sweep of the sky.
"Oh, it is all so little, so little there," she murmured. "When everything
else is so dwarfed, why should one expect love to be great? Why should one
try to read highly coloured suggestions into a life like that? If only I
could find one thing in it all that mattered greatly, one thing that would
warm me when I am alone! Will life never give me that one great moment?"
As she raised the window, she heard a sound in the plum bushes outside. It
was only the house-dog roused from his sleep, but Margaret started
violently and trembled so that she caught the foot of the bed for support.
Again she felt herself pursued by some overwhelming longing, some
desperate necessity for herself, like the outstretching of helpless,
unseen arms in the darkness, and the air seemed heavy with sighs of
yearning. She fled to her bed with the words, "I love you more than Christ
who died for me!" ringing in her ears.
About midnight the dance at Lockhart's was at its height. Even the old men
who had come to "look on" caught the spirit of revelry and stamped the
floor with the vigor of old Silenus. Eric took the violin from the
Frenchmen, and Minna Oleson sat at the organ, and the music grew more and
more characteristic—rude, half mournful music, made up of the
folksongs of the North, that the villagers sing through the long night in
hamlets by the sea, when they are thinking of the sun, and the spring, and
the fishermen so long away. To Margaret some of it sounded like Grieg's Peer
Gynt music. She found something irresistibly infectious in the mirth
of these people who were so seldom merry, and she felt almost one of them.
Something seemed struggling for freedom in them tonight, something of the
joyous childhood of the nations which exile had not killed. The girls were
all boisterous with delight. Pleasure came to them but rarely, and when it
came, they caught at it wildly and crushed its fluttering wings in their
strong brown fingers. They had a hard life enough, most of them. Torrid
summers and freezing winters, labour and drudgery and ignorance, were the
portion of their girlhood; a short wooing, a hasty, loveless marriage,
unlimited maternity, thankless sons, premature age and ugliness, were the
dower of their womanhood. But what matter? Tonight there was hot liquor in
the glass and hot blood in the heart; tonight they danced.
Tonight Eric Hermannson had renewed his youth. He was no longer the big,
silent Norwegian who had sat at Margaret's feet and looked hopelessly into
her eyes. Tonight he was a man, with a man's rights and a man's power.
Tonight he was Siegfried indeed. His hair was yellow as the heavy wheat in
the ripe of summer, and his eyes flashed like the blue water between the
ice packs in the north seas. He was not afraid of Margaret tonight, and
when he danced with her he held her firmly. She was tired and dragged on
his arm a little, but the strength of the man was like an all-pervading
fluid, stealing through her veins, awakening under her heart some
nameless, unsuspected existence that had slumbered there all these years
and that went out through her throbbing fingertips to his that answered.
She wondered if the hoydenish blood of some lawless ancestor, long asleep,
were calling out in her tonight, some drop of a hotter fluid that the
centuries had failed to cool, and why, if this curse were in her, it had
not spoken before. But was it a curse, this awakening, this wealth before
undiscovered, this music set free? For the first time in her life her
heart held something stronger than herself, was not this worthwhile? Then
she ceased to wonder. She lost sight of the lights and the faces and the
music was drowned by the beating of her own arteries. She saw only the
blue eyes that flashed above her, felt only the warmth of that throbbing
hand which held hers and which the blood of his heart fed. Dimly, as in a
dream, she saw the drooping shoulders, high white forehead and tight,
cynical mouth of the man she was to marry in December. For an hour she had
been crowding back the memory of that face with all her strength.
"Let us stop, this is enough," she whispered. His only answer was to
tighten the arm behind her. She sighed and let that masterful strength
bear her where it would. She forgot that this man was little more than a
savage, that they would part at dawn. The blood has no memories, no
reflections, no regrets for the past, no consideration of the future.
"Let us go out where it is cooler," she said when the music stopped;
thinking, I am growing faint here, I shall be all right in the open air.
They stepped out into the cool, blue air of the night.
Since the older folk had begun dancing, the young Norwegians had been
slipping out in couples to climb the windmill tower into the cooler
atmosphere, as is their custom.
"You like to go up?" asked Eric, close to her ear.
She turned and looked at him with suppressed amusement. "How high is it?"
"Forty feet, about. I not let you fall." There was a note of irresistible
pleading in his voice, and she felt that he tremendously wished her to go.
Well, why not? This was a night of the unusual, when she was not herself
at all, but was living an unreality. Tomorrow, yes, in a few hours, there
would be the Vestibule Limited and the world.
"Well, if you'll take good care of me. I used to be able to climb, when I
was a little girl."
Once at the top and seated on the platform, they were silent. Margaret
wondered if she would not hunger for that scene all her life, through all
the routine of the days to come. Above them stretched the great Western
sky, serenely blue, even in the night, with its big, burning stars, never
so cold and dead and far away as in denser atmospheres. The moon would not
be up for twenty minutes yet, and all about the horizon, that wide
horizon, which seemed to reach around the world, lingered a pale white
light, as of a universal dawn. The weary wind brought up to them the heavy
odours of the cornfields. The music of the dance sounded faintly from
below. Eric leaned on his elbow beside her, his legs swinging down on the
ladder. His great shoulders looked more than ever like those of the stone
Doryphorus, who stands in his perfect, reposeful strength in the Louvre,
and had often made her wonder if such men died forever with the youth of
"How sweet the corn smells at night," said Margaret nervously.
"Yes, like the flowers that grow in paradise, I think."
She was somewhat startled by this reply, and more startled when this
taciturn man spoke again.
"You go away tomorrow?"
"Yes, we have stayed longer than we thought to now."
"You not come back any more?"
"No, I expect not. You see, it is a long trip halfway across the
"You soon forget about this country, I guess." It seemed to him now a
little thing to lose his soul for this woman, but that she should utterly
forget this night into which he threw all his life and all his eternity,
that was a bitter thought.
"No, Eric, I will not forget. You have all been too kind to me for that.
And you won't be sorry you danced this one night, will you?"
"I never be sorry. I have not been so happy before. I not be so happy
again, ever. You will be happy many nights yet, I only this one. I will
dream sometimes, maybe."
The mighty resignation of his tone alarmed and touched her. It was as when
some great animal composes itself for death, as when a great ship goes
down at sea.
She sighed, but did not answer him. He drew a little closer and looked
into her eyes.
"You are not always happy, too?" he asked.
"No, not always, Eric; not very often, I think."
"You have a trouble?"
"Yes, but I cannot put it into words. Perhaps if I could do that, I could
He clasped his hands together over his heart, as children do when they
pray, and said falteringly, "If I own all the world, I give him you."
Margaret felt a sudden moisture in her eyes, and laid her hand on his.
"Thank you, Eric; I believe you would. But perhaps even then I should not
be happy. Perhaps I have too much of it already."
She did not take her hand away from him; she did not dare. She sat still
and waited for the traditions in which she had always believed to speak
and save her. But they were dumb. She belonged to an ultra-refined
civilization which tries to cheat nature with elegant sophistries. Cheat
nature? Bah! One generation may do it, perhaps two, but the third—Can
we ever rise above nature or sink below her? Did she not turn on Jerusalem
as upon Sodom, upon St. Anthony in his desert as upon Nero in his
seraglio? Does she not always cry in brutal triumph: "I am here still, at
the bottom of things, warming the roots of life; you cannot starve me nor
tame me nor thwart me; I made the world, I rule it, and I am its destiny."
This woman, on a windmill tower at the world's end with a giant barbarian,
heard that cry tonight, and she was afraid! Ah! the terror and the delight
of that moment when first we fear ourselves! Until then we have not lived.
"Come, Eric, let us go down; the moon is up and the music has begun
again," she said.
He rose silently and stepped down upon the ladder, putting his arm about
her to help her. That arm could have thrown Thor's hammer out in the
cornfields yonder, yet it scarcely touched her, and his hand trembled as
it had done in the dance. His face was level with hers now and the
moonlight fell sharply upon it. All her life she had searched the faces of
men for the look that lay in his eyes. She knew that that look had never
shone for her before, would never shine for her on earth again, that such
love comes to one only in dreams or in impossible places like this,
unattainable always. This was Love's self, in a moment it would die. Stung
by the agonized appeal that emanated from the man's whole being, she
leaned forward and laid her lips on his. Once, twice and again she heard
the deep respirations rattle in his throat while she held them there, and
the riotous force under her head became an engulfing weakness. He drew her
up to him until he felt all the resistance go out of her body, until every
nerve relaxed and yielded. When she drew her face back from his, it was
white with fear.
"Let us go down, oh, my God! let us go down!" she muttered. And the
drunken stars up yonder seemed reeling to some appointed doom as she clung
to the rounds of the ladder. All that she was to know of love she had left
upon his lips.
"The devil is loose again," whispered Olaf Oleson, as he saw Eric dancing
a moment later, his eyes blazing.
But Eric was thinking with an almost savage exultation of the time when he
should pay for this. Ah, there would be no quailing then! if ever a soul
went fearlessly, proudly down to the gates infernal, his should go. For a
moment he fancied he was there already, treading down the tempest of
flame, hugging the fiery hurricane to his breast. He wondered whether in
ages gone, all the countless years of sinning in which men had sold and
lost and flung their souls away, any man had ever so cheated Satan, had
ever bartered his soul for so great a price.
It seemed but a little while till dawn.
The carriage was brought to the door and Wyllis Elliot and his sister said
goodbye. She could not meet Eric's eyes as she gave him her hand, but as
he stood by the horse's head, just as the carriage moved off, she gave him
one swift glance that said, "I will not forget." In a moment the carriage
Eric changed his coat and plunged his head into the water tank and went to
the barn to hook up his team. As he led his horses to the door, a shadow
fell across his path, and he saw Skinner rising in his stirrups. His
rugged face was pale and worn with looking after his wayward flock, with
dragging men into the way of salvation.
"Good morning, Eric. There was a dance here last night?" he asked,
"A dance? Oh, yes, a dance," replied Eric, cheerfully.
"Certainly you did not dance, Eric?"
"Yes, I danced. I danced all the time."
The minister's shoulders drooped, and an expression of profound
discouragement settled over his haggard face. There was almost anguish in
the yearning he felt for this soul.
"Eric, I didn't look for this from you. I thought God had set his mark on
you if he ever had on any man. And it is for things like this that you set
your soul back a thousand years from God. O foolish and perverse
Eric drew himself up to his full height and looked off to where the new
day was gilding the corn-tassels and flooding the uplands with light. As
his nostrils drew in the breath of the dew and the morning, something from
the only poetry he had ever read flashed across his mind, and he murmured,
half to himself, with dreamy exultation:
"'And a day shall be as a thousand years, and a thousand years as a day.'"