Dawn by H. Rider Haggard

THE FRONT GARDEN THE FRONT GARDEN I THINK that it was in an article by a fellow-scribe, where, doubtless more in sorrow than in anger, that gentleman exposed the worthlessness of the productions of sundry of his brother authors, in which I read that whatever success I had met with as a writer of fiction was due to my literary friends and 'nepotic criticism.' This is scarcely the case, since when I began to write I do not think that I knew a single creature who had published books—blue books alone excepted. Nobody was ever more outside the ring, or less acquainted with the art of 'rolling logs,' than the humble individual who pens these lines. But the reader shall judge for himself.

To begin at the beginning: My very first attempt at imaginative writing was made while I was a boy at school. One of the masters promised a prize to that youth who should best describe on paper any incident, real or imaginary. I entered the lists, and selected the scene at an operation in a hospital as my subject. The fact that I had never seen an operation, nor crossed the doors of a hospital, did not deter me from this bold endeavour, which, however, was justified by its success. I was declared to have won in the competition, though, probably through the forgetfulness of the master, I remember that I never received the promised prize. My next literary effort, written in 1876, was an account of a Zulu war dance, which I witnessed when I was on the staff of the Governor of Natal. It was published in the Gentleman's Magazine, and very kindly noticed in various papers. A year later I wrote another article, entitled 'A Visit to the Chief Secocoeni,' which very nearly got me into trouble. I was then serving on the staff of Sir Theophilus Shepstone, and the article, signed with my initials, reached South Africa in its printed form shortly after the annexation of the Transvaal. Young men with a pen in their hands are proverbially indiscreet, and in this instance I was no exception. In the course of my article I had described the Transvaal Boer at home with a fidelity that should be avoided by members of a diplomatic mission, and had even gone the length of saying that most of the Dutch women were 'fat.' Needless to say, my remarks were translated into the Africander papers, and somewhat extensively read, especially by the ladies in question and their male relatives; nor did the editors of those papers forbear to comment on them in leading articles. Shortly afterwards, there was a great and stormy meeting of Boers at Pretoria. As matters began to look serious, somebody ventured among them to ascertain the exciting cause, and returned with the pleasing intelligence that they were all talking of what the Englishman had written about the physical proportions of their womenkind and domestic habits, and threatening to take up arms to avenge it. Of my feelings on learning this news I will not discourse, but they were uncomfortable, to say the least of it. Happily, in the end, the gathering broke up without bloodshed, but when the late Sir Bartle Frere came to Pretoria, some months afterwards, he administered to me a sound and well-deserved lecture on my indiscretion. I excused myself by saying that I had set down nothing which was not strictly true, and he replied to the effect that therein lay my fault. I quite agree with him; indeed, there is little doubt but that these bald statements of fact as to the stoutness of the Transvaal 'fraus,' and the lack of cleanliness in their homes, went near to precipitating a result that, as it chanced, was postponed for several years. Well, it is all done with now, and I take this opportunity of apologising to such of the ladies in question as may still be in the land of life.

MR. RIDER HAGGARD AND HIS DAUGHTERS MR. RIDER HAGGARD AND HIS DAUGHTERS

This unfortunate experience cooled my literary ardour, yet, as it chanced, when some five years later I again took up my pen, it was in connection with African affairs. These pages are no place for politics, but I must allude to them in explanation. It will be remembered that the Transvaal was annexed by Great Britain in 1877. In 1881 the Boers rose in rebellion and administered several thrashings to our troops, whereon the Government of this country came suddenly to the conclusion that a wrong had been done to the victors, and, subject to some paper restrictions, gave them back their independence. As it chanced, at the time I was living on some African property belonging to me in the centre of the operations, and so disgusted was I, in common with thousands of others, at the turn which matters had taken, that I shook the dust of South Africa off my feet and returned to England. Now, the first impulse of an aggrieved Englishman is to write to the Times, and if I remember right I took this course, but, my letter not being inserted, I enlarged upon the idea and composed a book called 'Cetewayo and his White Neighbours.' This semi-political work, or rather history, was very carefully constructed from the records of some six years' experience, and by the help of a shelf full of blue books that stare me in the face as I write these words; and the fact that it still goes on selling seems to show that it has some value in the eyes of students of South African politics. But when I had written my book I was confronted by a difficulty which I had not anticipated, being utterly without experience in such affairs—that of finding somebody willing to publish it. I remember that I purchased a copy of the Athenĉum, and selecting the names of various firms at hazard, wrote to them offering to submit my manuscript, but, strange to say, none of them seemed anxious to peruse it. At last—how I do not recollect—it came into the hands of Messrs. Trübner, who, after consideration, wrote to say that they were willing to bring it out on the half profit system, provided that I paid down fifty pounds towards the cost of production. I did not at all like the idea of parting with the fifty pounds, but I believed in my book, and was anxious to put my views on the Transvaal rebellion and other African questions before the world. So I consented to the terms, and in due course 'Cetewayo' was published in a neat green binding. Somewhat to my astonishment, it proved a success from a literary point of view. It was not largely purchased—indeed, that THE HALL THE HALL fifty pounds took several years on its return journey to my pocket, but it was favourably, and in some instances almost enthusiastically, reviewed, especially in the colonial papers.

About this time the face of a girl whom I saw in a church at Norwood gave me the idea of writing a novel. The face was so perfectly beautiful, and at the same time so refined, that I felt I could fit a story to it which should be worthy of a heroine similarly endowed. When next I saw Mr. Trübner I consulted him on the subject.

'You can write—it is certain that you can write. Yes, do it, and I will get the book published for you,' he answered.

Thus encouraged I set to work. How to compose a novel I knew not, so I wrote straight on, trusting to the light of nature to guide me. My main object was to produce the picture of a woman perfect in mind and body, and to show her character ripening and growing spiritual, under the pressure of various afflictions. Of course, there is a vast gulf between a novice's aspiration and his attainment, and I do not contend that Angela as she appears in 'Dawn' fulfils this ideal; also, such a person in real life might, and probably would, be a bore—

Something too bright and good
For human nature's daily food.

Still, this was the end I aimed at. Indeed, before I had done with her, I became so deeply attached to my heroine that, in a literary sense, I have never quite got over it. I worked very hard at this novel during the next six months or so, but at length it was finished and despatched to Mr. Trübner, who, as his firm did not deal in this class of book, submitted it to five or six of the best publishers of fiction. One and all they declined it, so that by degrees it became clear to me that I might as well have saved my labour. Mr. Trübner, however, had confidence in my work, and submitted the manuscript to Mr. John Cordy Jeaffreson for report; and here I may pause to say that I think there is more kindness in the hearts of literary men than is common in the world. It is not a pleasant task, in the face of repeated failure, again and again to attempt the adventure of persuading brother publishers to undertake the maiden effort of an unknown man. Still less pleasant is it, as I can vouch from experience, to wade through a lengthy and not particularly legible manuscript, and write an elaborate opinion thereon for the benefit of a stranger. Yet Mr. Trübner and Mr. Jeaffreson did these things for me without fee or reward. Mr. Jeaffreson's report I have lost or mislaid, but I remember its purport well. It was to the effect that there was a great deal of power in the novel, but that it required to be entirely rewritten. The first part he thought so good that he advised me to expand it, and the unhappy ending he could not agree with. If I killed the heroine, it would kill the book, he said. He may have been right, but I still hold to my first conception, according to which Angela was doomed to an early and pathetic end, as the fittest crown to her career. That the story needed rewriting there is no doubt, but I believe that it would have been better as a work of art if I had dealt with it on the old lines, especially as the expansion

MR. RIDER HAGGARD'S STUDY MR. RIDER HAGGARD'S STUDY

of the beginning, in accordance with the advice of my kindly critic, took the tale back through the history of another generation—always a most dangerous experiment. Still, I did as I was told, not presuming to set up a judgment of my own in the matter. If I had worked hard at the first draft of the novel, I worked much harder at the second, especially as I could not give all my leisure to it, being engaged at the time in reading for the Bar. So hard did I work that at length my eyesight gave out, and I was obliged to complete the last hundred sheets in a darkened room. But let my eyes ache as they might, I would not give up till it was finished, within about three months from the date of its commencement. Recently, I went through this book to prepare it for a new edition, chiefly in order to cut out some of the mysticism and tall writing, for which it is too remarkable, and was pleased to find that it still interested me. But if a writer may be allowed to criticise his own work, it is two books, not one. Also, the hero is a very poor creature. Evidently I was too much occupied with my heroines to give much thought to him; moreover, women are so much easier and more interesting to write about, for whereas no two of them are alike, in modern men, or rather, in young men of the middle and upper classes, there is a paralysing sameness. As a candid friend once said to me, 'There is nothing manly about that chap, Arthur'—he is the hero—'except his bull-dog!' With Angela herself I am still in love; only she ought to have died, which, on the whole, would have been a better fate than being married to Arthur, more especially if he was anything like the illustrator's conception of him in the current edition.

In its new shape 'Dawn' was submitted to Messrs. Hurst & Blackett, and at once accepted by that firm. Why it was called 'Dawn' I am not now quite clear, but I think it was because I could find no other title acceptable to the publishers. The discovery of suitable titles is a more difficult matter than people who do not write romances would suppose, most of the good ones having been used already and copyrighted. In due course the novel was published in three fat volumes, and a pretty green cover, and I sat down to await events. At the best I did not expect to win a fortune out of it, as if every one of the five hundred copies printed were sold, I could only make fifty pounds under my agreement—not an extravagant reward for a great deal of labour. As a matter of fact, but four hundred and fifty sold, so the net proceeds of the venture amounted to ten pounds only, and forty surplus copies of the book, which I bored my friends by presenting to them. But as the copyright of the work reverted to me at the expiration of a year, I cannot grumble at this result. The reader may think that it was mercenary of me to consider my first book from this financial point of view, but to be frank, though the story interested me much in its writing, and I had a sneaking belief in its merits, it never occurred to me that I, an utterly inexperienced beginner, could hope to make any mark in competition with the many brilliant writers of fiction who were already before the public. Therefore, so far as I was concerned, any reward in the way of literary reputation seemed to be beyond my reach.

SOME CURIOS SOME CURIOS

It was on the occasion of the publication of this novel that I made my first and last attempt to 'roll a log,' with somewhat amusing results. Almost the only person of influence whom I knew in the world of letters was the editor of a certain society paper. I had not seen him for ten years, but at this crisis I ventured to recall myself to his memory, and to ask him, not for a favourable notice, but that the book should be reviewed in his journal. He acceded to my prayer; it was reviewed, but after a fashion for which I did not bargain. This little incident taught me a lesson, and the moral of it is: never trouble an editor about your immortal works; he can so easily be even with you. I commend it to all literary tiros. Even if you are in a position to command 'puffs,' the public will find you out in the second edition, and revenge itself upon your next book. Here is a story that illustrates the accuracy of this statement; it came to me on good authority, and I believe it to be true. A good many years ago, the relation of an editor of a great paper published a novel. It was a bad novel, but a desperate effort was made to force it upon the public, and in many of the leading journals appeared notices so laudatory that readers fell into the trap, and the book went through several editions. Encouraged by success, the writer published a second book, but the public had found her out, and it fell flat. Being a person of resource, she brought out a third work under a nom de plume, which, as at first, was accorded an enthusiastic reception by previous arrangement, and forced into circulation. A fourth followed under the same name, but again the public had found her out, and her career as a novelist came to an end.

To return to the fate of 'Dawn.' In most quarters it met with the usual reception of a first novel by an unknown man. Some of the reviewers sneered at it, and some 'slated' it, and made merry over the misprints—a cheap form of wit that saves those who practise it the trouble of going into the merits of a book. Two very good notices fell to its lot, however, in the Times and in the Morning Post, the first of these speaking about the novel in terms of which any amateur writer might feel proud, though, unfortunately, it appeared too late to be of much service. Also, I discovered that the story had interested a great many readers, and none of them more than the late Mr. Trübner, through whose kind offices it came to be published, who, I was told, paid me the strange compliment of continuing its perusal till within a few hours of his death, a sad event that the enemy might say was hastened thereby. In this connection I remember that the first hint I received that my story was popular with the ordinary reading public, whatever reviewers might say of it, came from the lips of a young lady, a chance visitor at my house, whose name I have forgotten. Seeing the book lying on the table, she took a volume up, saying—

A STUDY CORNER A STUDY CORNER

'Oh, have you read 'Dawn'? It is a first-rate novel; I have just finished it.' Somebody explained, and the subject dropped, but I was not a little gratified by the unintended compliment.

These facts encouraged me, and I wrote a second novel—'The Witch's Head.' This book I endeavoured to publish serially by posting the MS. to the editors of various magazines for their consideration. But in those days there were no literary agents or Authors' Societies to help young writers with their experience and advice, and the bulky manuscript always came back to my hand like a boomerang, till at length I wearied of the attempt. Of course I sent to the wrong people; afterwards the editor of a leading monthly told me that he would have been delighted to run the book had it fallen into the hands of his firm. In the end, as in the case of 'Dawn,' I published 'The Witch's Head' in three volumes. Its reception astonished me, for I did not think so well of the book as I had done of its predecessor. In that view, by the way, the public has borne out my judgment, for to this day three copies of 'Dawn' are absorbed for every two of 'The Witch's Head,' a proportion that has never varied since the two works appeared in one-volume form.

'The Witch's Head' was very well reviewed; indeed, in one or two cases, the notices were almost enthusiastic, most of all when they dealt with the African part of the book, which I had inserted as padding, the fight between Jeremy and the Boer giant being singled out for especial praise. Whatever it may lack, one merit this novel has, however, that was overlooked by all the reviewers. Omitting the fictitious incidents introduced for the purposes of the story, it contains an accurate account of the great disaster inflicted upon our troops by the Zulus at Isandhlwana. I was in the country at the time of the massacre, and heard its story from the lips of survivors; also, in writing of it, I studied the official reports in the blue books and the minutes of the court martial.

'The Witch's Head' attained the dignity of being pirated in America, and in England went out of print in a few weeks, but no argument that I could use would induce my publishers to re-issue it in a one volume edition. The risk was too great, they said. Then it was I came to the conclusion that I would abandon the making of books. The work was very hard, and when put to the test of experience the glamour that surrounds this occupation vanished. I did not care much for the publicity it involved, and, like most young authors, I failed to appreciate being sneered at by anonymous critics who happened not to admire what I wrote, and whom I had no opportunity of answering. It is true that then, as now, I liked the work for its own sake. Indeed, I have always thought that literature would be a charming profession if its conditions allowed of the depositing of manuscripts, when MR. RIDER HAGGARD MR. RIDER HAGGARD completed, in a drawer, there to language in obscurity, or of their private publication only. But I could not afford myself these luxuries. I was too modest to hope for any renown worth having, and for the rest the game seemed scarcely worth the candle. I had published a history and two novels. On the history I had lost fifty pounds, on the first novel I had made ten pounds, and on the second fifty; net profit on the three, ten pounds, which in the case of a man with other occupations and duties did not appear to be an adequate return for the labour involved. But I was not destined to escape thus from the toils of romance. One day I chanced to read a clever article in favour of boys' books, and it occurred to me that I might be able to do as well as others in that line. I was working at the Bar at the time, but in my spare evenings, more from amusement than from any other reason, I entered on the literary adventure that ended in the appearance of 'King Solomon's Mines.' This romance has proved very successful, although three firms, including my own publishers, refused even to consider it. But as it can scarcely be called one of my first books, I shall not speak of it here.

In conclusion, I will tell a moving tale, that it may be a warning to young authors for ever. After my publishers declined to issue 'The Witch's Head' in a six-shilling edition, I tried many others without success, and at length in my folly signed an agreement with a firm since deceased. Under this document the firm in question agreed to bring out 'Dawn' and 'The Witch's Head' in a two-shilling edition, and generously to remunerate me with a third share in the profits realised, if any. In return for this concession, I on my part undertook to allow the said firm to republish any novel that I might write, for a period of five years from the date of the agreement, in a two-shilling form, and on the same third-profit terms. Of course, so soon as the success of 'King Solomon's Mines' was established, I received a polite letter from the publishers in question, asking when they might expect to republish that romance at two shillings. Then the matter came under the consideration of lawyers and other skilled persons, with the result that it appeared that, if the Courts took a strict view of the agreement, ruin stared me in the face, so far as my literary affairs were concerned. To begin with, either by accident or design, this artful document was so worded that, primâ facie, the contracting publisher had a right to place his cheap edition on the market whenever it might please him to do so, subject only to the payment of a third of the profit, to be assessed by himself, which practically might have meant nothing at all. How could I expect to dispose of work subject to such a legal 'servitude'? For five long years I was a slave to the framer of the 'hanging' clause of the agreement. Things looked black indeed, when, thanks to the diplomacy of my agent, and to a fortunate change in the personnel of the firm to which I was bound, I avoided disaster. The fatal agreement was cancelled, and in consideration of my release I undertook to write two books upon a moderate royalty. Thus, then, did I escape out of bondage. To be just, it was my own fault that I should ever have been sold into it, but authors are proverbially guileless when they are anxious to publish their books, and a piece of printed paper with a few additions written in a neat hand looks innocent enough. Now no such misfortunes need happen, for the Authors' Society is ready and anxious to protect them from themselves and others, but in those days it did not exist.

THE FARM THE FARM

This is the history of how I drifted into the writing of books. If it saves one beginner so inexperienced and unfriended as I was in those days from putting his hand to a 'hanging' agreement under any circumstances whatsoever, it will not have been set out in vain.

The advice that I give to would-be authors, if I may presume to offer it, is to think for a long while before they enter at all upon a career so hard and hazardous, but having entered on it, not to be easily cast down. There are great virtues in perseverance, even though critics sneer and publishers prove unkind.